Business Network
We work together with selected partners from the art world in a business network. If you are interested in an artist from the network, we will be happy to act as your agent.
Global Community
Our team travels to over 40 art fairs every year and therefore maintains a strong, global, informal network of gallery owners, curators, artists, journalists, etc. Our core task in the Business Network is to mediate between the individual partners.
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January:
Art SG, Singapore
Art Genève, Switzerland
February:
Frieze Los Angeles, USA
Felix Art Fair Los Angeles, USA
March:
ARCO Madrid, Spain
Art Basel, Hong Kong
Art Central, Hong Kong
April:
MiArt, Milano, Italy
Urban Art Fair, Paris, France
Art Brussels, Belgium
Art Düsseldorf, Germany
May:
Independent New York, USA
Frieze New York, USA
NADA New York, USA
VOLTA New York, USA
ARCO Lisbon, Portugal
June:
Art Basel, Switzerland
Liste Art Fair, Switzerland
June Art Fai, Switzerland
VOLTA Basel, Switzerland
Photo Basel, Switzerland
Basel Social Club, Switzerland
July:
Tokyo Gendai, Japan
August:
Chart Art Fair, Copenhagen
Enter Art Fair, Copenhagen
September:
Vienna Contemporary, Austria
The Armory Show, New York, USA
Art Salon Zurich, Switzerland
October:
Art Verona, Italy
Frieze London, UK
Paris+ par Art Basel, Paris, France
Asia Now, Paris, France
Paris Internationale, France
Artissima Torino, Italy
November:
Art Cologne, Germany
December:
Art Basel, Miami Beach, USA
Art Miami, USA
Untitled Miami Beach, USA
NADA Miami, USA
Scope Miami Beach, USA
Selected Galleries
We are in personal contact with all selected galleries. We select our collaborations carefully. Our business contacts are our unique selling point as an art agency. NOA is not an art gallery and always acts as an intermediary.
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Chambers Fine Arts, New York, USA
Steinhauser Gallery, Bratislava, Slovakia
Galerie Fabian Lang, Zurich, Switzerland
Underdogs Gallery, Lisbon, Portugal
Selected Artists
In a first step, we select our gallery partners and then discuss with them which artists should be published in our Business Network. Collaboration with the artists always takes place via the publishing gallery, mediated by us.
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Wu Jian’an, Beijing, China (*1980)
Yan Shanchun, Hangzhou, China (*1957)
Taca Sui, New York, USA and Beijing, China (*1984)
Kilian Rüthemann, Basel, Switzerland (*1978)
Raphaël Zarka, Paris, France (*1977)
Sarah Dwyer, London, UK, (*1974)
Mihael Milunović, Belgrade, Serbia and Paris, France (*1967)
Rony Plesl, Prague, Czech Republic (*1965)
AkaCorleone, Lisbon, Portugal (*1985)
Tamara Alves, Lisbon, Portugal (*1983)
Add Fuel, Lisbon, Portugal (*1980)
±MaisMenos±, Lisbon, Portugal (*1981)
Wasted Rita, Lisbon, Portugal (*1988)
Unidigrazz, Lisbon, Portugal (founded 2017)
Nuno Viegas, Lisbon, Portugal (*)
Contact Information for Mediation:
Florian Paul Koenig
Director & Strategic Management for Contemporary Artists, Galleries and Collections
florian.koenig@noacontemporary.com
Instagram: @florianpaulkoenig
Chambers Fine Arts
New York and Salt Point NY, USA
Chambers Fine Art is an art gallery based in New York City and Beijing that specializes in Chinese contemporary art. Opened in New York in 2000 by Christophe Mao. Notable Chinese artists who had their first solo show in the United States at Chambers include: Lu Shengzhong, Shi Jinsong, Hong Hao, Qiu Zhijie, Hong Lei, and Chi Peng.
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In 2007 Chambers Fine Art opened a second 8,600-square-foot (800 m2) gallery-space designed by the artist, Ai Weiwei, in the Caochangdi district of Beijing.[citation needed] The inaugural exhibition Net: Reimagining Space, Time and Culture was organized by eminent Chinese art scholar, Wu Hung, and included works by Chinese contemporary artists Ai Weiwei, He Yunchang, Hong Hao, Hong Lei, Lu Shengzhong, Qiu Zhijie, Rong Rong & inri, Shi Jinsong, Song Dong, Wang Jianwei, Wang Tiande, Wu Jian’an, Yin Xiuzhen, Yu Hong, Guo Hongwei, Zhan Wang, Zhang Peili, Zheng Guogu.
In October 2009, Chambers Fine Art moved its New York gallery to a 2,300-square-foot (210 m2) ground-floor space on 19th street in Chelsea's gallery district.
Artfarm, Salt Point NY by HHF Architects and Ai Weiwei
Wu Jian'an: 500 Brushstrokes, Chambers Fine Arts, Artfarm Salt Point NY, USA, 2022
Wu Jian'an
lives and works in Beijing, China (*1980)
In the hands of Wu Jian’an, the traditional Chinese medium of paper cut is elaborated and used to explore an idiosyncratic range of iconographic source material culled from all over the world. Over time, Wu Jian’an’s works have grown both in scale and complexity as he increasingly conceives individual works as part of larger installations.
Since his first exhibition at Chambers Fine Art in 2006, Wu Jian‘an has established himself as a unique figure in contemporary Chinese art. Having chosen paper-cut as his primary means of expression in his early work, he has continued to use this technique in increasingly complex multilayered compositions and installations that frequently utilize thousands of components. Simultaneously, the range of references embodied in his works has grown enormously, embracing a multitude of mytho-logical, esoteric and contemporary references.
Yan Shanchun: FUCHUN, Chambers Fine Arts, ADAA Member Viewing Rooms, 2020
Yan Shanchun
lives and works in Hangzhou, China (*1957)
Among the first of a generation of artists who emerged from the academies when they were reopened after being closed during the Cultural Revolution, Yan Shanchun graduated from Zhejiang Academy of Fine Arts (now the China Academy of Art) in 1982, specializing in printmaking. He was trained in traditional Chinese calligraphy and influenced by American abstract painting. Although Yan is fully cognizant of the long history of abstract painting in the West, he has been less concerned with rivaling these antecedents than in modifying their example to enrich the valued tradition of Chinese literati who cultivated the arts of calligraphy, painting and poetry in seclusion. That privileged life-style is no longer possible but in his detachment from the goal-oriented atmosphere of the contemporary art world and in the development of his own quiet poetic sensibility equally attuned to poetry and the visual arts, he may be considered a twenty-first century equivalent of these legendary polymaths.
Hong Lei and Taca Sui: Summer Exhibition, Chambers Fine Arts, Artfarm, 2021
Taca Sui
lives and works in New York, USA and Beijing, China (*1984)
Taca Sui is a fine art photographer from Qingdao, Shandong Province, China. He went to the Central Academy of Fine Arts in Beijing in 2003 and moved to the United States in 2005, where he studied photography at the Rochester Institute of Technology (2007-2008). His work has been shown at multiple exhibitions in both China and USA, including Chambers Fine Art (2011), the Three Shadows Photography Award Exhibition (2011) and the Lianzhou Photo Festival (2010). He has won the Top 20 Chinese Contemporary Young Photographer Award (2011), the China New Photography Award at the Xiaobing Xu National Photography Contest (2010), and the Photographer of Year Award at the Lianzhou International Photography Festival (2010).
Taca's photographic series Odes was recently collected and exhibited by the Metropolitan Museum of Art in New York. Tobias has been nominated for the Swiss Design Awards 2022.
Galerie Fabian Lang
Zurich, Switzerland
After more than a decade acting as a director of two renowned international galleries, and an innovative curatorially-driven project space in the heart of London, Fabian Lang has returned to his hometown of Zurich to open his own space. The gallery launched during ‘Zurich Art Weekend 2019’ with an exciting group show including new or previously unseen works by Sara Anstis, Heidi Hahn, Mernet Larsen, Jessie Makinson, Wangechi Mutu, Mira Schor and Grace Weaver. It is located in a beautiful old town house in the Niederdorf, right behind the Kunsthaus Zurich. It consists of two exhibition spaces - the main ground floor space of over 100 square metres in size, and a high-ceilinged basement offering a further 30 square metres. Galerie Fabian Lang also has the luxury of a large terrace to the rear, offering great potential for sculptural projects. The gallery's ethos, as set out in this inaugural show, shall remain consistent: to both promote and represent great and innovative artists, and nurture the best talent from the new generation of artists around the world. It will curate and organise four to six original shows throughout the year, both group and solo presentations. We do not accept unsolicited artist submissions.
Galerie Fabian Lang in Zurich, Switzerland
Room for Milk, Haus Konstruktiv, 2013
Kilian Rüthemann
lives and works in Basel, Switzerland (*1978)
Rüthemann works with everyday familiar materials: sugar, salt or building materials such as cement, plaster, concrete, iron or asphalt. In their formal simplicity, the works of the trained sculptor reveal a comprehensive knowledge of the source materials, whose properties and potentials Rüthemann explores. Previously specially cast slabs of caramelized sugar, for example, he allows to shatter on the ground through a controlled coincidence (Untitled, 2008), meandering hardened "sausages out of concrete" unfold an unusual haptic (Ressource, 2011), and solid brick walls, having become functionless, persist in an uncertain state (Untitled (Slackers), 2016). The artist always has the materials under control, he lets them react purposefully. Traces of manufacture remain visible, as in the sarcophagi made of foam (Untitled (Sarcophag), 2009), whose yellowing, moreover, does not promise permanence but demonstrates material transience.
The artist’s main gestural concerns in his practice are Minimalism, process-based art, humor, intervention and re-purposing. The reception of his work frequently refers to reminiscences of artistic movements and positions of the late 1960s and 1970s, which today are also subsumed under the term Postminimalism. The artist questions these in a new manner and expands them. Creating emotional tension with minimalist aesthetics, the works illustrate variations on the theme of absurdity, urge, power and captivity.
Kilian Rüthemann's work is also characterised by an examination of the spatial conditions of the exhibition spaces (indoor as well as outdoor) in which he realizes his works. With targeted architectural and sculptural interventions, he knows how to reveal the characteristics of the respective spaces and make them experiential in a new way.
Monte Oliveto, Solo Exhibition at Michel Rein, Paris, France, 2017
Raphaël Zarka
lives and works in Paris, France (*1977)
Raphael Zarka stands among a generation of artists who subtly revive the relationship between art and knowledge in their works. His sculptures manifest the results of his diverse investigative work, which allusively or subliminally influence the properties of the objects, somewhat resembling an avid collector of stories, facts and images. He creates a practical and careful approach to integrate kindred or distinct fields into his art without leaving the sculptural framework. Although the underlying cognitive sources that permeate his work are not always visible in the object itself, they form a complex and intimate reference network that is explored in the numerous writings and interviews that accompany it. The artist is known for his deep interest in skateboarding. Thus, he has devoted several works of art and three scientific essays to this particular activity. His interest, however, tends to focus on skateboarding as a model of relationships, economics, and ethics, rather than as a cultural, technical, or subject matter.
Tink, Solo Exhibition at Jane Lombard Gallery, New York, USA, 2019
Sarah Dwyer
lives and works in London, UK (*1974)
Sarah Dwyer (b. 1974, Ireland) lives and works in London. Drawing is at the heart of her process, often combined with painting, printmaking, and sculpture, resulting in reimaginings of the familiar through exuberant colour palettes and lively approaches to mark-making. Incorporating both figurative and abstract imagery, her dynamic compositions are the result of processing her own surroundings and the human day-to-day experience, in addition to an indulgence in our desire for play.
Powerplay, Steinhauser Gallery, Bratislava, Slovakia
Mihael Milunović
lives and works in Belgrade, Serbia and Paris, France (*1967)
Violence, repression, manipulation; the uncomfortable realities of contemporary life are exposed in Mihael Milunovic’s enticing creations.
Born in Belgrade in 1967, Milunovic grew up in an artistic family environment. Both his father and grandfather were well-known Serbian artists and his mother is a renowned Croatian sculptor. Milunovic’s early experiences playing in his parents’ studio, his interest in geography and machinery, or paintings by the likes of Titian, Velazquez or De Chirico would all have a lasting effect on his work.
Milunovic attended the Belgrade Faculty of Fine Arts, then the École Nationale Supérieure des Beaux-Arts de Paris, where he studied with visiting professors Marina Abramovic and Tony Brown, among others. Remarked, he became the Laureate of the Foundation RENOIR (worked and lived in Pierre-Auguste Renoir’s atelier). He received a prestigious prize for painting from funds of Foundations Roux and Tronchet during a solemn session under dome of Academy of France in Paris, in November 2018.
His work encompasses a wide range of disciplines, from painting, drawing and photography through to lar- ge-scale sculptures and installations. By decontextualising everyday objects, symbols or situations, Milunovic provokes unease in the observer, a blend of alienation and curiosity.
Since the mid-90s, Milunović has participated in numerous exhibitions across Europe. His works are featured in prestigious museum collections including MUMOK - Ludwig Museum, Vienna; Museum of Contemporary Art, Belgrade; Coleccion Solo, Madrid; Deji Museum, Nanjing; Collection Moet & Chandon LVMH, France; Collection Wiener Städtische, Austria; Palazzo Forti, Verona; Musée d’Art et d’Industrie, Saint-Étienne, etc.
Mihael‘s work has been featured in curated exhibitions alongside renowned artists such as Jan Fabre, Dennis Oppenheim, Ilya Kabakov, Roman Opalka, Park Seo Bo, Mounir Fatmi, Barthelemy Togo, Michelangelo Pistoletto, Tony Cragg, Wim Delvoye, Shigeru Ban, and Rikrit Tiravanija, among others. Additionally, he has collaborated with Manuel O’Campo in a joint exhibition.
Trees Grow from the Sky, Crystal and uranium cast glass, 2022
Photo credit: Petr Krejčí
Collateral Event of the 59th International Art Exhibition La Biennale di Venezia
Rony Plesl
lives and works in Prague, Czech Republic (*1965)
Rony Plesl ranks among top internationally acknowledged artists in the field of glass sculpture. His unique oeuvre emerges from his deep knowledge of quality glassmaking and the technologies he employs in his original designs and primarily in his artistic work. In collaboration with glass professionals, he shifts the perspectives of the possible in the medium of glass both for contemporary art and for his own body of work.
Rony Plesl is a leading Czech artist, sculptor, designer, and professor. Plesl’s work is strongly solitary both in the field of visual arts and in the field of design. Rather than challenging current trends, he has followed impulses from various disciplines throughout his life. Plesl explores the possibilities of glass sculpture, deliberately approaching it as a distinctive medium. He respects the work of his predecessors – Professor Libenský and others, who founded this relatively young discipline in the Czech Republic – while also respecting the history of the craft.
Plesl’s sources of inspiration are based on his deep knowledge of art history and admiration for old masters. He has always been fascinated by the geometry and intimacy of the Italian Renaissance and the architectural opulence of the Baroque. At the start of his career, he spent four years in Venice, where he learned from Italian glass masters. He considers this period of his life essential for his work. To this day, he fondly remembers his contemplations on sacral architecture, which inspired him by its classical proportions as well as its exuberance of colored detail. The matte finish of the colors masks the natural transparency of glass. Plesl materializes visually powerful “sacred” objects from this amorphous material much like a sculptor carves out a statue.
The monumentality of his work is enhanced by his sculptural technique of cast glass – completely unique in the world – which allows the creation of practically any shape. This unique process consists in casting glass as if it were bronze, and Rony was the first professional artist to use this technique on a large scale. The technology gives him a “free hand” – the creative process begins with models made of paper, plaster or even objects found in nature, which ultimately become artefacts in and of themselves. The sculptures made of cast glass are produced in collaboration with the Czech brand Sin Studio Gallery. The sense of detail and the precision grinding, typical for the Czech glassmaking school, are paramount in Plesl’s work, although they never supersede the conceptual ideas behind the art. It is yet another step towards the emancipation of the medium of glass sculpture; towards a unique definition of where the limits of contemporary art can be pushed.
In 2018, the ground-breaking technology of cast glass was presented for the first time at the Fire Walk with Me exhibition at the Renaissance space of Queen Anne’s Summer Palace in Prague. A turning point in Plesl’s work came with the exhibition of a large glass installation called Sacred Geometry at Santa Chiara, an Italian Renaissance chapel in London’s Victoria and Albert Museum in 2019. The sculpture reflects the artist’s passion for Renaissance geometry – the transparent glass logs are perfectly hexagonal in shape, like a magical natural formation. Combined with the uranium branches, they form an abstract landscape where the material world blends with the spiritual one.
Uranium glass is one of the key elements in Plesl’s work. It appears both in his art and in his product design. Uranium reacts to ultraviolet radiation and the sculptures literally glow in dark spaces, creating a magical effect. Uranium glass has been produced in Bohemia since the Baroque era, however, due to the difficult production process, it is hardly used today. This link to the Baroque is substantial for the artist’s way of thinking as well as for the context of his work.
Since 2008, Plesl is Head of the Studio of Glass at the Academy of Arts, Architecture and Design in Prague. In 2017, he was appointed Professor of Design and Architecture.
Artworks by Rony Plesl are represented in public collections in the Czech Republic: Museum of Decorative Arts, Prague; North Bohemian Museum, Liberec; North Bohemian Gallery, Liberec; Museum of Glass, Jablonec; Moravian Gallery, Brno. Internationally: Corning Museum of Glass, USA; Glass Museum Lette, Coesfeld, Germany; Alexander Tutsek Foundation, Munich, Germany; Jan van der Togt Museum, Amstelveen, Netherlands; Cobra Museum, Amstelveen, Netherlands. As well as in multiple private collections across the world.
He received multiple awards for his work: Good Design Award (2019, 2013, 2010), Red Dot Award (2019, 2007), Czech Grand Design (2011) and others.
Underdogs Gallery
Lisbon, Portugal
Underdogs is a cultural platform based in Lisbon, Portugal that encompasses a gallery with two exhibition areas, a public art programme, the production of artist editions, and the development of commissioned art projects. Established in 2010 and consolidated in its present form in 2013, Underdogs works with a diversified roster of Portuguese and international artists connected with the urban-inspired contemporary art universe, fostering the development of close relationships between creators, the public, and the city.
Basketball Court
AkaCorleone
lives and works in Lisbon, Portugal (*1985)
AkaCorleone (1985) is a visual artist of Portuguese and Swiss descent who started out as a grati writer in the underworld of his native Lisbon. A compulsive drawer, obsessed with all things graphic and visual from an early age, he studied arts, earned a degree in Design and Visual Communication and worked as a graphic designer for a few years, having le" the profession to focus on his artistic practice. He is known today for his dexterity in using colours, typography, characters, and refined forms which he blends to achieve eye-catching compositions imbued with originality and an all- pervasive humour. He has been showcasing his work in solo and group exhibitions since 2010.
Mural in Montijo, Portugal
Tamara Alves
lives and works in Lisbon, Portugal (*1983)
Tamara Alves (b. 1983) is a Portuguese visual artist and illustrator, currently based in Lisbon. She holds a degree in Fine Arts (ESAD-IPL) and a masters in Contemporary Artistic Practices (FBAUP) where she presented a dissertation on the subject “Public Activism in the Urban Context”. Having always been interested in a type of art that is“inserted”in the world,fascinated with the street aesthetics and the urban context, Tamara prefers to ignore conventional spaces such as galleries or museums and present her work in the street or in public spaces. In her work, the erotic panorama of a contemporary body with those eects of the expansion of the limits that constitute it is represented. A brutal passion, instead of a rational consideration, a body-without-organs, becoming animal, the experienced sensations,“starving hysterical naked” (Allen Ginsberg). Presenting a visual language inspired by the urban aesthetic, she uses media with multifaceted characteristics – drawing, painting, ceramics or tattooing. Since 2000 she has participated in various projects, solo and group exhibitions and urban art interventions.
Mural in Caldense, Portugal
Add Fuel
lives and works in Lisbon, Portugal (*1980)
Add Fuel is Portuguese visual artist and illustrator Diogo Machado (1980). A former graphic designer, his recent artistic practice has been focused on reinterpreting and playing with the language of traditional tile design, and that of the Portuguese tin-glazed ceramic azulejo in particular. Blending traditional and contemporary elements, his original vector-based designs and stencil-based street
art reveal an impressive complexity and a masterful attention to detail. Based on a combination of tesselations that create balance from symmetrical repetitions and visual illusion techniques such as trompe-l’œil, his multi-layered patterned compositions create a poetic rhythm that plays with the viewer’s perception and the possibilities of interpretation. He has been showcasing his work in both solo and group exhibitions since 2006, as well as participating in some of the world’s leading urban art events.
Yes or No Future, Solo Exhibition at Underdogs Gallery, Lisbon
±MaisMenos±
lives and works in Lisbon, Portugal (*1981)
±MaisMenos± is an intervention art project by Portuguese visual artist and graphic designer Miguel Januário (b. 1981) that began in the scope of an academic thesis in 2005 and later gained a life of its own. It oers a critical reflection on the model of political, social and economic organisation inherent to contemporary urban societies. Conducting a clinical dissection of reality that plays with the system of dualities intrinsic to the Western ideological edifice, the project’s programmatic expression is conceptually reduced to an equation of simplicity and excluding opposites: more/
less, positive/negative, black/white. Under the ±MaisMenos± banner the artist has been producing thought-provoking, cutting-edge work both indoors and outdoors in a variety of media – from video to sculptural installations, from painting to performance. Besides numerous illegal public art interventions in several countries, the project has also been showcased in solo and group exhibitions in multiple contexts. His work is represented in various private collections.
Installed at the beach of Portugal
Wasted Rita
lives and works in Lisbon, Portugal (*1988)
Portuguese visual artist and illustrator Wasted Rita (1988) has been amassing a huge following since starting her blog“Rita Bored”back in 2011.!e self-styled“natural born agent provocateur” likes to observe, reflect, write and draw, pouring forth little gems of mordant wisdom, reflecting an unconventional upbringing in a Catholic school to the sound of Black Flag. Her angst-ridden poetic invectives on contemporary life, popular culture, and human behaviour have been finding their way into magazines, books, exhibitions and art commissions in a growing number of countries around the world.
Markizz, 2023
Unidigrazz
live and work in Lisbon, Portugal (founded 2017)
The Unidigrazz collective emerged in 2017 in the Mem Martins area, in the Sintra Line, in the context of an urban cultural movement that has been adding followers as it gains the recognition it deserves. It aggregates a number of multidisciplinary artists: musicians, photographers, illustrators, filmmakers, and graffiti writers. Shaped by their life experiences as a group and armed with striking identities and visions, the art showcased by the collective casts a gaze over the social fabric that lives on the fringes of Lisbon, in peripheral cities where inequalities prevail on every corner. The collective includes, among others, the members Diogo “Gazella” Carvalho, Onun Trigueiros, Rappepa bedju tempu, Sepher AWK, and Tristany.
Mural in Lieira, Portugal
Nuno Viegas
lives and works in Lisbon, Portugal (*)
Nuno Viegas (aka Metis) is a Portuguese artist born in Faro and raised in Quarteira. Founder of the art collective Policromia Crew, he started his artistic journey with grati in 1999. A"er completing his studies in Visual Arts at the University of Algarve he moved to Rotterdam in 2014, where he discovered a new artistic identity and began to develop his paintings strongly influenced by the grati scene. #is has been the focal point of the artist’s production and his greatest source of inspiration. In his works, Nuno presents us with a contrast between the visually aggressive and sometimes dirty reality of traditional grati and its peaceful and clean representation. #e approach to this theme is a continuous tribute to all those who dedicate part of their lives to this scene. We can see his work expanding throughout walls and art venues all over the globe, continuously aiming to improve and move towards his dream – tagging the moon.